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While it's impossible to hide the size of the Sony or Samsung smartwatches, the Pebble, while still oversized, is not that much larger than some of the more ambitious fashion watches available. The smaller dimensions of the screen also reduce the overall footprint of the watch. These all require a positive action press, and I doubt you'll trigger any of them by accident. On the left of the screen is the 'back' button, while the right side has three buttons, a cursor up, cursor down, and a forward/choose button. The Pebble also forgoes a touchscreen, instead relying on four buttons around the edges of the watch. The monochrome screen might lose points for not being colorful, but Pebble earns back far more kudos in battery life than it loses for going monochrome. What's never happened to me is the Pebble watch running out of power. I've been charging every three to four days, which I put down to heavy use of watch faces that feature a lot of animation and many stopwatch/timer apps while cooking and working around the house. By design, Pebble has tried to stop you watching your charge level by removing the battery indicator from the watch until it becomes low. It's quoted as running between five and seven days, although this is naturally dependant on the applications and watch faces that you decide to run. That contributes to the long battery life of the Pebble. The main takeaway is that the screen draws significantly less power than the OLED or Super AMOLED color screens used by the competition. It does not suffer the slow response rates or shadowing that you see on eBook readers, and will happily run at 30 fps with no blurring if an application demands it. Strictly speaking it's a transreflective LCD screen with a backlight, and while many people have labelled it as an e-ink screen (similar to eBook readers such as the Amazon Kindle) it's important to stress that Pebble is marketing the screen as e-paper, not e-ink. It's one of the smaller screens on a smartwatch, at just 144x168 pixels. Let's start with the hardware, because the Pebble watch makes a number of different design decisions to the big boys which all have a positive impact on the watch, and none more so than the screen. What's interesting about these results is the number of respondents choosing to use an off-the-shelf CSS framework (51.82%) compared to those who are choosing to either use something custom or use no framework at all (48.17%), which is a fairly even split. So the question asked was – Please indicate which of the following CSS frameworks you use most frequently on your projects (if any).īy far the most popular CSS framework is Bootstrap, with just over a third of respondents (34.96%) using it. The part of these results I was most interested to see was how many developers are using an off-the-shelf solution, in comparison to those who are either choosing not to use a framework or working with something more custom. This next question came as a result of feedback to last year's survey, with a number of people interested in finding out about CSS Framework usage. Both Less and Stylus knowledge levels trended down compared with 2016. Looking at the rest of these tools, only PostCSS saw a positive gain from the 2016 results, with 16.46% of respondents saying that they feel comfortable using it – up 3.02%. Combined with the results from Question 3, it's clear that Sass is still the dominant tool when it comes to CSS Processing. Only 9.19% of respondents replied that they had never used it with just 0.2% of people having never heard of it at all. The question asked was – Roughly how long have you been working with front-end technologies?Īs you might have expected following the results from the previous question, Sass is the tool with by far the highest knowledge levels.ħ2.86% of respondents indicated that they feel comfortable using it, with this figure up slightly (+2.17%) from the 2016 survey. JavaScript Module Bundlers & Task Runners experienceĪs in previous years, the first question is used to find out the amount of front-end experience each respondent has.Knowledge of JavaScript Libraries and Frameworks.CSS Methodologies and Naming Scheme Experience.Where possible, you'll see that I've included the percentage change from the 2016 survey alongside this year's figures. It was also featured by a number of newsletters such as Responsive Design Weekly, Versioning and FrontEnd Focus, among others. In terms of where this year's responses may have come from, the link to the survey has been posted on Twitter, Reddit, HackerNews, DesignerNews, Echo.js, SitePoint, LinkedIn and Frontendfront. When releasing the first set of results in 2016, the survey received 5,254 responses – so that's about a 4% rise in the number of responses. Therefore, they shouldn’t be taken as gospel, simply as pointing towards a rough trend.Īs mentioned above, this year's survey received 5,461 responses. These results represent a sample of front-end developers working in the industry. So, without further ado, let’s get onto the results! Make yourself comfortable and let’s take a look… You'll find links to some of these courses where relevant throughout the results. Whether you’re just starting out in web development, or an experienced developer looking to level-up your skillset, I'd highly recommend checking out Wes's courses. Wes is renowned for creating awesome learning materials for web developers. This survey would be impossible to run without the support it receives from our affiliates Wes Bos and Just Eat (my employer). This year the survey was made up of 24 questions – up from 19 questions in 2016 – covering a wide range of front-end tools and methodologies. These results help to give an insight into the current trends in front-end tooling, as well as showing how usage is changing over time by looking at the figures from previous surveys. It's very easy to take for granted what tools are being used based on your own knowledge and habits. Thanks to all of you who have taken part!Įach year the survey has a pretty straight-forward aim to shed light on the the tools that front-end developers are using right now in our industry. Since launching this year's Front-End Tooling Survey in March, 5,461 front-end developers have taken the time to fill it in. Since publishing the initial results, I've updated the survey after receiving 5,461 responses and updated the article and results data to reflect this. If you'd like to view them, check them out here. The results for the 2019 edition of the Front-end Tooling Survey are now available. The Front-End Tooling Survey 2018 - Results Front-end development Blog and Portfolio for Ashley Watson-Nolan – Senior UI Engineer at Just On November 30, 2021, Gamevil changed its corporate name to ‘Com2uS Holdings’ after 21 years in order to strengthen its holding role and increase cooperation with other affiliates in hopes of increasing its reach at a time of rapid global expansion. Gamevil has announced it is expanding into Europe, with the opening of a Berlin office in autumn 2014. Gamevil acquired one of its oldest rivals, Seoul-based Com2uS on October 4, 2013. It is now one of the largest mobile game companies in the Republic of Korea, servicing its games on SK Telecom, KTF, and LG Telecom. Gamevil has created more than 60 video games, including 10 award-winning games such as NOM and Skipping Stone. Gamevil went public in July 2009, and is currently listed in the KOSDAQ market (063080). James Song also founded and was elected as the first chairman of the KMGA (Korean Mobile Game Association) in August 2001. Afterward, Fitsnet officially changed its company name to Gamevil Inc. Fitsnet serviced its first Java mobile game in January 2001 on LG Telecom. ((주)피츠넷) on January 12 of 2000, and started its online game service as Gamevil in March 2000. James Song went on and founded Fitsnet Inc. Continued abuse of our services will cause your IP address to be blocked indefinitely.While attending Seoul National University, Byung Joon "James" Song founded and was elected as the first chairman of an entrepreneur club named "Venture". Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. 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The improved visibility and efficiency, as a. The new members are Axelar, Cheeze, Coala Pay, Qonbay.io, RociFi Labs and Suberra. Blockchain technologies can be used as public means of transactions as well as private ledgers for inter-company transactions and record keeping. Separately, Mastercard has signed up another six blockchain and digital asset startups for its StartPath programme, giving participants training, access to channels and customers as well as subject matter expertise, and an opportunity for technical collaboration. "Mastercard Crypto Credential will not only define verification standards and levels, but also provide necessary enabling technology to help bring more use cases to life." Raj Dhamodharan, EVP, digital asset and blockchain product and partnerships, Mastercard, says: "With Mastercard Crypto Credential, we can help ensure that those interested in interacting across Web3 environments are meeting defined standards for the types of activities they’d like to pursue. The partners also intend to explore the utility of identity-oriented Web3 solutions use cases like NFTs, ticketing, enterprise, and payments. Aptos says it is among the shortlist of blockchains to enable the identity and attestation element of sending and receiving funds through Web3. The company is also teaming up with public blockchain network organisations Aptos Labs, Ava Labs, Polygon and The Solana Foundation. Mastercard Crypto Credential is designed to help companies, developers, and individuals to realise the full potential of powering payments, commerce, and economic value on-chain and across borders.Īmong the partners onboard are crypto wallet providers Bit2Me, Lirium, Mercado Bitcoin and Uphold, which are working on an initial project to enable transfers between the US and Latin America and the Caribbean corridors. If they aren't available, use a USB keyboard and mouse.
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All of Fenwick's therapeutic head gear is approved for competition worldwide. Fenwick Equestrian's Liquid Titanium Far InfraRed products incorporate a patended technology which has resulted in the production of the first and only therapeutic Mask which can help your horse relax and focus naturally. We use the highest % of Lactic Acid allowed under EU guidelines and at the correct pH level to ensure Liquid Mask is not only a highly effective acid treatment that offers amazing results quickly but it’s also 100% safe and a pleasure to use”.Do you have a horse that is easily stressed out in different situations, for example during transport? Then a Fenwick face mask can be helpful for your horse. Not only does it resurface, but it also boosts skin hydration, which is ideal for sensitive skins. No more good skin days, but months and years!Įxtracted from sugar beet, it’s the one acid that can be used regularly by all skin types, even those who might usually avoid acids. I am so excited for the launch of this product as I have never felt my skin so soft, my pores so refined and my skin so glowing after using this product. I don’t believe that mixing lots of different acids is the answer, so I’ve formulated a single-acid treatment using, in my view, the Queen of all acids – Lactic Acid. Not all acids are made equal and not all suit everyone or every skin type. ” Nothing beats acids for rejuvenating the skin. Red Snow and Black Carrot extracts protect against free-radical damage, while patented Cactus Stem extract, Pro-Vitamin B5 and MSM condition while calming redness and irritation. Niacinamide (Vitamin B3) evens skin tone and reduces the appearance of skin blemishes, pores, congestion and boosts skin immunity. Superior (mixed molecular weight) Hyaluronic Acid deeply hydrates and plumps. Lactic Acid powerfully but safely exfoliates while boosting moisture levels to rejuvenate, revitalise and brighten while your skin sleeps. With 10% Lactic Acid, Hyaluronic Acid, Niacinamide, Red Snow and Black Carrot Extracts, Pro-Vitamin B5, Cactus Steam extract and MSM.Īn overnight radiance and conditioning peel containing 10% Lactic Acid, super-nutrients, multi-vitamins and anti-oxidants to visibly illuminate and improve skin condition and texture. AN OVERNIGHT RADIANCE AND CONDITIONING PEEL Thanksgiving, 3pm – 8:50pm (Pond hockey 9pm – 10pm)Ĭhristmas Eve, 11am – 8pm (Pond hockey 8am – 10:50am)Ĭhristmas Day, 3pm – 8:50pm (Pond hockey 9pm – 10:00pm)Īlso open on: New Year’s Eve/Day, Martin Luther King, Jr. Nov 24 – 26, Dec 23 – Jan 3, Feb 2, Feb 16 – 18 ice skating, Grinch 677 views, 6 likes, 3 loves, 0 comments, 0 shares, Facebook Watch Videos from Kansas City Mom Collective: Celebrate the holiday season at Zona Rosa with something for everyone. The Rink subject to all KCMO mandates and follows all local, state and national guidelines for stopping the spread of the virus. But in the years after he moved his family to northern California, the only ice rink in their area closed. Being from Minnesota, Schulz grew up on ice skating and hockey. SKATE LESSONS (30 MIN EACH) Ice skate (4 lessons): $80 Private lesson (1): $50 Learn to play hockey (4 lessons): $80 This week’s strip reminded me some of the elements of Schulz’s career that surprised me to discover when I first voyaged out to his home in Santa Rosa, California in 2011. HOST YOUR PRIVATE POND HOCKEY OR CURLING EVENT: Call for pricing and details OPEN POND HOCKEY PASS 80 min.: $12 Hockey skate rental: $4 Hockey stick rental: $4 SKATE SESSION PASS Admission: $11 (Children 3 and Under Free) Skate Rental: $4 (or bring your own skates!)ĪFTER SCHOOL SESSION PASS (3PM – 5PM) Admission: $9 Skate Rental: $4ġ1 VISIT PASS Bring your own skates: $110 Rental skates included: $150 The Rink at Zona Rosa is open daily through February 2022 for public ice skating, pond hockey, special events and more.Įnjoy shopping from local and national retailers, an eclectic mix of restaurant options and ice skating under the lights at Zona Rosa. The Northland’s newest ice rink is back at Zona Rosa this winter season. From speed skating to jam skating, you can rock a pro-skater look anytime with the eye-catching pink and black design of the VNLA Zona Rosa Jam Skates.THE RINK AT ZONA ROSA OPENS FRIDAY, NOVEMBER 19! NO limits! PRO-MANEUVERING - While some skates opt for the larger toe stops, we chose the low-profile Vanilla Jam Plugs which are pointed and perfect for spins. Tie up your laces, lock down that velcro lace cover, and take off. Crown Center Ice Rink: The annual ice rink at Crown Center is a great. That's why we make it easy! The combo of Vanilla ABEC-9 bearings, upgraded Aluminum trucks, and 62mm, 93A hardness wheels make this Jam Skate the speed leader. in Kansas City, Mo., is held in Zona Rosa on the north side of Kansas City. If you long for the outdoors though, a simple swap for some outdoor wheels will allow you to take these babies anywhere! SPEED DEMONS - We know you love going fast. It is possible to program your ice skating teaching anytime you want. The Rink at Zona Rosa is open day by day by way of February 2022 for public ice skating, pond hockey, particular used dj equipment for sale craigslist events and extra. The Backspin wheels are made specifically for indoor terrain, so you can pull out all the stops on the floor. Zona Rosa Jam Skates VNLA Junior Zona Rosa skates are such a beauty, you will know you need a pair as soon as you see them. The Northland’s newest ice rink is back at Zona Rosa this winter season. INDOOR & OUTDOOR CAPABILITY - Jam skating usually takes place inside on a rink, which is why we engineered this skate to be smooth as butter. Each pair of Jam Skates sits atop a lightweight Vanilla Gorilla Nylon Plate with upgraded aluminum trucks and a set of Genuine Backspin wheels. TOP-NOTCH DESIGN - At VNLA, we craft our skates with the best materials available. And our padded interior is super-soft, so your feet stay comfortable and secure, even while taking the abuse of jam skating. We make our skates with a durable denim and leather shell. SKATE LONGER - The VNLA Zona Rosa Jam Skates are so cozy, there is no break-in period. Despite drawing on Asia for material for so many aspects of the franchise, Asian people and Asian culture do not signify in meaningful ways and are often literally only superficially referenced. While The Matrix and references to it have entered our rhetoric and cultural consciousness at a mainstream level, knowledge of the film’s myriad allusions remains the domain of a very niche crowd. Preparing for a course I used to teach at Mount Holyoke College titled “Cyberpunk in Asia” led me down a research rabbit hole, uncovering the film's many Asian inspirations. And in The Matrix Resurrections, the new denomination of robots who are sympathetic to humans resemble the Ohmu from Hayao Miyazaki’s 1984 Nausicaä of the Valley of the Wind. Indeed, there are even shot-for-shot images in The Matrix that mirror moments in Ghost in the Shell. The Wachowskis have openly spoken about their fascination with cyberpunk, their love for John Woo action films, and the inspiration they drew from William Gibson’s Neuromancer and Japanese anime such as Ghost in the Shell. The original Matrix trilogy bears the fingerprints of major Asian cultural producers: the ubiquitous green “digital rain” and headjacks were first seen in Mamoru Oshii’s 1995 Ghost in the Shell, the eye-watering action sequences bear the fingerprints of Hong Kong action film director John Woo’s signature shootouts, and even the notorious “blue pill” is a reference to Katsuhiro Otomo’s 1988 Akira. Yet each of these images that have become visual synecdoches for the film and franchise is derived from earlier ’80s and ’90s cultural artefacts from Asia. These are some of the images that come to mind when The Matrix, that postmodern cultural touchstone of the late ’90s by the Wachowskis, is mentioned. A shoot-out: Flying glass and splintered shards. Considering all that, it's no wonder Tank didn’t return for The Matrix sequels.A human affixed to mechanical tubes in an incubation pod, rendered cephalopodic.Ī gravity-defying dominatrix, ninja-like. The low point is a slideshow of headlines about other people in the movie, such as Joel Silver getting kicked out of Warner Bros, the death of casting director Mali Finn, Laurence Fishburne’s daughter getting arrested, and headlines about Lana and Lilly Wachowski transitioning, followed by pictures of Chong laughing like he thinks this is all the funniest thing ever. The documentary also gets petty and vindictive about everyone else involved in The Matrix. One is that leading man Keanu Reeves stole money from animators, the stunt team, and other actors in The Matrix, and that Warner tried to force him to sign a fake Screen Actor’s Guild contract so that the union rules couldn’t help him. The 45-minute piece includes several more bizarre claims that aren’t backed up by anyone else who worked on The Matrix. The best evidence of this comes from Chong himself, in a short documentary he made called The Marcus Chong Story (via YouTube). Chong hasn’t been in many movies since The Matrix - which may hint that he is difficult to work with. He even went as far as claiming he was being blackballed in the industry by the producers. In October 2000, Chong was arrested for making threatening phone calls to Warner Bros and writer-directors the Wachowskis over him being written out of the movie. Warner offered him $400,000 for The Matrix Reloaded and The Matrix Revolutions, and he wanted to get $1 million, and Chong wouldn’t budge (via entertainment.ie). The lawsuit included claims of defamation, stating that the producers tried to paint him as a terrorist. In 2003, Chong filed a lawsuit against Warner Bros/AOL Time Warner, claiming that there was a verbal agreement from 1998 and a contract signed in 2000 that guaranteed him a place in the sequel movies. |